Which of the Following Is True of Gil Evans

By Ra_Clara67 13 Apr, 2022 Post a Comment

Which musician fits the following description. All are true of Miles Daviss post-1980 work EXCEPT.

The Gil Evans Orchestra Began Recording Out Of The Cool For Impulse Records Onthisday In 1960 Gil Evans Cool Album Covers Vinyl Music

Gil Evans worked a lot with Ryo Kawasaki a jazz fusion and guitarist from Tokyo.

. He covered current pop tunes such as Cyndi Laupers Time After Time ANS. There was a tour in 1983 of Miles and Gil in Japan. Studied with composer Darius Milhaud e.

Bill Evans George Russell wrote a book on music theory titled Lydian Chromatic Concept of Tonal Organization. Combinations of instruments with very low and very high ranges ANS. Faculty included some of the greatest jazz performers of the day.

All of the following are characteristic of Gil Evanss arranging style EXCEPT. The soloists often had to step out and move to the. Professional performers had to figure out how to teach the playing of jazz.

B considered Third Stream recordings. Developed an improvisational style that is universally admired in its unpredictability ANS. He reunited with Gil Evans.

The rest of the area reserved for the Orchestra was very small and packed with musicians and instruments. Repertory limited to Tin Pan Alley standards d. Pianist John Lewis defined the sound of the Modern Jazz Quartet by providing most of the solos.

Ian Ernest Gilmore Evans was a Canadian jazz pianist arranger composer and bandleader. He recorded with Charlie Parker D. Tracks 1 6 7 8 9 first appeared on the CD version of the album.

It features Evans big band arrangements of five original compositions and compositions by Kurt Weill Bob Dorough John Lewis and Willie Dixon. And Al Foster was playing drums but I had the privilege of travelling with uncle Miles during that time. John Carisi was a new name to me.

Very organic and cool. Jazz Composition in the 1950s 27. C recorded by the Classic Quintet in the mid-1950s.

Gil Evans is best known for writing in concerto format. Had a productive partnership with ethereal saxophonist Paul Desmond d. All of the following are true of the Bill Evans trio that recorded Portrait in Jazz EXCEPT.

E the first albums by Miles using non-standard jazz instruments. Operated for several decades. I rented the place for two years.

His first band was formed in 1933. He no longer played keyboards. Generous use of counterpoint b.

From the 1950s to the 1970s Gil Evans had a long working relationship with Miles Davis George Russell wrote Concerto for Billy the Kid to highlight the following soloist. Drummer Jimmy Cobb supported Evans with soft and sensitive punctuations John Coltranes long engagement with which musician in 1957 was part of Coltranes musical and spiritual rebirth after overcoming addiction. They did several concerts in the United States and in Europe.

We celebrated the centenary of Gils birth last year and this year marks the 25th anniversary of his death but for those of us who love his work he seems ever present both in the enduring wonder of his own music and in his subtle but persistent influence on others. I wasnt privy to the conversations you know. He graduated from the Juilliard School d.

All of the following are true of the Lenox School of Jazz EXCEPT. To witness that friendship and that brotherhood. The structure of the music.

Gil was on the left hand- side at the electric piano often motionless enraptured by the music that his musicians created for him. Sonorous slow-moving chords c. Experimented with odd time signatures b.

Porgy And Bess and Sketches Of Spain were A albums in which Miles explored modal jazz. By this time Gil Evans had gained a reputation for his innovative arrangements of bebop tunes for the Claude Thornhill orchestra and his apartment had soon become a meeting place for musicians looking. They also collaborated on several albums such as Gil Evans Orchestra Tokyo Concert feat.

His trumpet technique improved. His collaborations with Gil Evans enlarged the scope of jazz composition C All of the following are true of Miles Davis early life EXCEPT. The Modern Jazz Quartet formed in 1952 was a cool jazz group that exemplified a style sometimes referred to as third stream Which of the following assertions is NOT TRUE about their music.

Gil was very gentle and soft-spoken. Ryo Kawasaki was in fact replacing Jimi Hendrix because Gil Evans had originally intended to do an album with Hendrix but Hendrix. Jazz Composition in the 1950s 10.

Monday Nights is not only the first studio recording of the Gil Evans Orchestra in over forty years but it also offers some of the most audacious and electrifying music of the new millennium. Repertory limited to Tin Pan Alley standards d. D the first jazz albums by Miles in which he collaborated with arranger Gil Evans.

All of the following are characteristic of Gil Evanss arranging style EXCEPT. Was featured on the cover of Time magazine c. By 1947 Gil Evans had moved to New York where he resided in a basement apartment behind a Chinese Laundry just three blocks away from 52nd Street.

I often wonder how music would have sounded today had Gil Evans never existed. After WWII he moved into a small furnished basement at 14 West 55th street New York that became a drop in place for fellow musicians to hang out and swap ideas. All of the following are true of pianist Dave Brubeck EXCEPT.

Gil Evans passed away in 1988 however his sons trumpeter Miles Evans and his brother Noah are keeping the flame alive with Hidden Treasures a trilogy of recordings of. Jazz Composition in the 1950s 9. Generous use of counterpoint b.

George Russells work is unique in jazz because he worked exclusively as a composer-bandleader not as an instrumentalist. They would talk about the music. Combinations of instruments with very low and very high ranges ANS.

The Gil Evans Orchestra sat right there in the apse area with the sky as its only roof. The Individualism of Gil Evans is an album by pianist conductor arranger and composer Gil Evans originally released on the Verve label in 1964. He was raised in a wealthy family b.

Billed as jazz at the crossroads between the Mainstream and The New Thing Gill Evans created supervised brought in the sandwiches for the recording of this ambitious montage from the vantage point of 1961 which contains much adventurous music at the time from both perspectives. He sat in with the Billy Eckstine band alongside Dizzy Gillespie and Charlie Parker c. Sonorous slow-moving chords c.

Castles Made Of Sound The Story Of Gil Eavns By Larry Hicock Gil Evans Sketches Of Spain Music Print